Basics of video lighting by Matt Ottewill

You have probably heard of the job title “Lighting Cameraman”. This reflects the importance of lighting in camera work. Lighting the scene is a huge part of the skill of cinematography.

The simple rule is ...

cameras need a lot of light to produce good images, much more than the human eye which is more adaptable to chanmging lighting conditions

Don’t even consider shooting interior scenes without some form of additional artificial lighting unless you subject is lit by bright sunlight from a nearby window or you are intentionally seeking a dull and indistinct look. Using light effectively is an art.

Lighting options

When lighting a scene you have 4 basic options ...

  1. Use exisiting light
  2. Improve exisiting light
  3. Augment exisiting light
  4. Use artificial light

 

1. Use existing light

Use the existing light and move your subject and/or camera until you get an acceptable picture.



2. Improve existing light

Improve the existing lighting by removing lampshades and fitting higher wattage bulbs.



3. Augment existing light

Augmenting the existing lighting with extra lights and reflectors.



4. Artificial light

Light the scene entirely with your own portable artificial light sources.


Light characteristics

These are the primary characteristics of light ...

  • Brightness, or intensity
  • Quality - is it "Hard" and shadow inducing, or "Soft" and diffuse
  • Contrast - the relative brightness between the lightest and darkest areas in the frame
  • Direction
  • Colour

3 point lighting

This is a popular and practical way to achieve good overall balanced lighting for interior shots involving 3 primary lighting directions ...

  • Key Light This is a hard light spotlight, usually placed above and slightly to one side of the camera pointing at the subject to reveal shape and surface detail.

  • Fill Light (filler) This is a diffuse soft light source illuminating the shadows cast by the key light, usually placed on the opposite side of the camera from the key light.

  • Back light this light illuminates the outline of the subject from behind, usually placed behind the subject and offset from dead centre by perhaps 20 degree