Try making the following sounds before reading the instructions on this page ...
- Violin
- Brass
- Helicopter
- Snare drum
- Electric bass guitar
- Piano
These sounds are easier to create if you have separate amplifier and low pass filter envelopes, which you can tweak independently, but perfectly possible to create with a single shared envelope.
NOTE: All subtractive synthesisers have different characters so experiment with these basic settings to get the sound. For example, the same settings on a Roland Juno and Nord Lead produce different results.
Violin patch
Violins are bright sounding and produce harmonics mostly in the mid and high frequencies. They do not have fast percussive attacks no matter how hard they are bowed, unless they are plucked (pizzicato). Violinist often introduce some (pitch) vibrato to notes shortly after they bow them.
This patch will test your ability to use the LFO to create delayed pitch (vibrato) effects.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Sawtooth | High octave | 4/10 | 5/10 | Open | Off | Off | Off | - | - | - | - |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Not too fast | Long | High | Short | 4/10 | 5/10 | Yes | No |
Brass patch
Brass instruments are characterised by the sound starting dull and then quickly brightening as the air pressure at the mouth piece builds during the transient, before quickly become dull again when the pressure "normalises" to a sustainable level.
This patch will test your ability to control the filter cutoff with an envelope. You will need to fine tune the LPF cutoff point and envelope settings to get the fast increasing in brightness and quick decay to dull again.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Sawtooth | Medium octave | Off | Off | 4/10 | Off | Off | 5/10 | Not too fast | Short | Lowish | Short |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Not too fast | Short | Lowish | Short | - | - | No | No |
Helicopter patch
This patch will test your ability to control the filter cutoff with an LFO.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Noise | Any | Off | Off | 4/10 | 4/10 | 6/10 | Off | - | - | - | - |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Fast | Long | High | Short | Vary | Off | No | Yes |
Snare drum patch
Snare drums have very fast and bright transients which quickly decay in amplitude and brightness.
This patch will test your ability to control the amplifier and filter cutoff with envelopes. You can set transpose to a low octave and add a little sub oscillator if you have one, then find a key/pitch that adds a bit of body. Fine tune the amp envelope decay, and the LPF cutoff and envelope amount. Adding resonance to the LPF will give you a syn-drum effect.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Noise | Any | Off | Off | 4/10 | Off | Off | 6/10 | Fastest | Fast | Lowest | Fastest |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Fastest | Fast | Lowest | Fastest | - | - | No | No |
Piano patch
This patch will test your ability to control the amplifier and filter cutoff with envelopes. You will need to experiment with the LPF cutoff and envelope controls.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Square wave with medium pulse width mod-ulation | Middle | Off | Off | 4/10 | Off | Off | 5/10 | Fastest | 5/10 | 4/10 | Short |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Fastest | 6/10 | 5/10 | Short | - | - | No | No |
Electric bass guitar patch
This patch will test your ability to control the amplifier and filter cutoff with envelopes. You are aiming for that pluck from the fingers or plectrum and low sustained bass hum.
Oscillator | HPF | Low pass filter | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Wave | Trans-pose | CV from LFO | Cutoff | Cutoff | Reso-nance | CV from LFO | CV from envelope |
||||
Amount | A | D | S | R | |||||||
Sawtooth or square | Low | Off | Off | 3/10 | Off | Off | 5/10 | Fastest | 3/10 | 2/10 | Short |
Amplifier | LFO | ||||||||||
CV from envelope |
Rate | Attack | Send to Osc | Send to LPF | |||||||
A | D | S | R | ||||||||
Fastest | 6/10 | 5/10 | Short | - | - | No | No |